My paintings are figurative landscapes constructed from abstract signs, depicting the artificial,
built environment and nature together. The latter is represented primarily by plants, forests,
and most often trees, which is the central motif of my work.
In Jungian psychology, the tree is a universal motif that can be interpreted as both a self-image
and a worldview. In my representation, however, in addition to its symbolic meaning, it has a
more specific, situational meaning. In my paintings, the tree, its trunk, its roots, its multitude
could be interpreted as a representation of current states of consciousness, contexts of
thought, momentary moods formed into the landscape.
The repeated presence of the tree as a pure organicity representing the simple order of a living
organism also requires a more organic form of my paintings. The adaptation of the shape of
the image carrier to the depicted content has become necessary.
Thus, I experiment with solutions that result in the formal and physical variability and
extension of the usual square painting shape – without breaking the classical order of the
composition and leaving behind the field of painting.
My new series of linocuts, “Songs of Innocence and Experience”, inspired by the experiences of childbirth and early motherhood, was presented in a chamber exhibition as part of the Eleven Autumn cultural programme in the Read more…
Photos: Turčianska galéria The 5th Artists’ Book Triennial has come to an end, during which my series Old Books was exhibited in four countries. The exhibition was first shown in Slovakia at the Turiec Gallery Read more…
Photos: Magyarország Dublini Nagykövetsége My first solo exhibition at the United Arts Club in Dublin was realized at the invitation of His Excellency Dr. Gergely Bánhegyi, Hungary’s Ambassador to Ireland, celebrating Hungary’s Presidency of the Read more…